returning from last summer's vacation, marsha recknagel started telling the cab driver everything. about how she had left her all-white house in my hands and about how she was incredibly nervous about all the color she was about to see. about how her furniture went off in a truck to be re-upholstered and what if she hated it?
she took a deep breath and opened the door to the montrose-area home.
"i walked in and thought, 'i'll never leave again,'" she said.
the living room is a focal point of the house. its' filled with a textured tone-on-tone overstuffed sofa, the romantic sette, an antique chair (with front and back upholstered in different fabrics) and a wingback chair that i reshaped by overstuffing it to give it more elegance.
"i was at a point in my life where i was going to have a geographic change or a face lift or something. i needed a change and it was easier to change my setting and that resulted in a changed perspective. i was about to complete my novel and i didn't want to come back to the same environment. kelly revealed my dream house to me. i felt like i walked into a place where i had always been."
- marsha recknagel
walls were painted gray above the chair rail and a gray-green below it. the ceiling in this room, mottled in lavender, gold, green and other colors by artist barbara biel, ties together the shades throughout the rest of the downstairs. the entry hall is lavender, the dining room is a moss green. and her study, where she spends time writing, is now a rich cherry red. it was the last room to be done.
it was finished a month ago and, as with all the color, she loves it. large windows trimmed in white with white lacy curtains give relief to the red. new built-in bookshelves allow more books to be shelved, giving the room a cleaner appearance.
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